I've included two photographs here: The smaller photo is more-or-less a straight out of camera image with minimal processing. The larger photograph is edited using, post-digital-processing and what I can only call "handwork" in Lightroom and Photoshop. The camera I use, a full-frame DSLR, allows for the production of multiple exposures on the same file, producing a RAW original.This image was a double exposure. I've done a bit of work increasing contrast, applying both minus clarity AND plus dehaze, and slight variations to a magenta, blue, and yellow color channels. I also tried split toning with color to add a color cast to the shadows and highlights. I still consider the final, processed image to be the truer expression of my internal, pre-conceived ideal. The expressive power of the image is finalized and made manifest in the 'digital darkroom', just as in days past the true vision of the analog photographer was made "real" in the analog darkroom. My photographs are not ABOUT the process, but they can't exist without it. That is why I occasionally share these details, since I normally prefer to speak only of the 'content', however one defines that slippery term. For me content refers more to intentions than objects.
December 1, 2020
Process
This first image is a double-exposure, and has been fully processed from a single, in-camera RAW file into a final TIFF after editing. I then made the reduced size JPEG you are looking at for internet purposes.
I've included two photographs here: The smaller photo is more-or-less a straight out of camera image with minimal processing. The larger photograph is edited using, post-digital-processing and what I can only call "handwork" in Lightroom and Photoshop. The camera I use, a full-frame DSLR, allows for the production of multiple exposures on the same file, producing a RAW original.This image was a double exposure. I've done a bit of work increasing contrast, applying both minus clarity AND plus dehaze, and slight variations to a magenta, blue, and yellow color channels. I also tried split toning with color to add a color cast to the shadows and highlights. I still consider the final, processed image to be the truer expression of my internal, pre-conceived ideal. The expressive power of the image is finalized and made manifest in the 'digital darkroom', just as in days past the true vision of the analog photographer was made "real" in the analog darkroom. My photographs are not ABOUT the process, but they can't exist without it. That is why I occasionally share these details, since I normally prefer to speak only of the 'content', however one defines that slippery term. For me content refers more to intentions than objects.
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You can access more imagery by clicking on the phrase above which says"older posts". Many additional works can be viewed dating back to the earliest posts which initiated this blog.
3 comments:
You communicate into words the visual so well. Cheers.
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